Tag Archives: Swan Lake

North Pointe Ballet Production Celebrates The ‘Why’ Of What They Do


Copy of NPB Gala 2019-121

North Pointe Ballet in “What’s Your Why?”. Photo by Paul Lender, Left of Center photography.

By Steve Sucato

Why artists do what they do is a constant source of curiosity for many.  It is perhaps in trying to understand their motivations that we gain a better understanding of them and their art.  In North Pointe Ballet’s program What’s Your Why?, March 14 and 15 at the Lorain Palace Theater, the West Side ballet company seeks in part to answer those questions of understanding for themselves and audiences.

“The whole show is a reflection on what motivates us as artists and people,” says NPB’s founding director Janet Strukely-Dziak.

An encore performance of the 90-minute repertory program in 3-acts that the company premiered last October at Cleveland’s Near West Theatre, What’s Your Why? begins with Strukely-Dziak’s frenetically-paced group ballet “The Chase” (2009).

Performed to music from the soundtrack of the 2004 movie National Treasure by former YES guitarist Trevor Rabin, “The Chase” gets its inspiration from a young ballet dancer’s constant drive toward perfection,” says Strukely-Dziak.

Next, the company will perform excerpts from Arthur Saint-Leon’s 1870 comedic ballet “Coppelia”, adapted and staged for the company by NPB assistant director Melaina Kampf.

Rounding out the program’s first act will be “Quiet Chaos” (2003) choreographed by former Mercyhurst University Dance Department chair Tauna Hunter, a former mentor of Strukely-Dziak’s. Set to music by Philip Glass and Canadian singer-songwriter Jennifer Berezan, the ballet for 8-dancers is about escaping life’s day-to-day chaos and finding peace.

Copy of NPB Gala 2019-165

North Pointe Ballet dancer in Tauna Hunter’s “Quiet Chaos”. Photo by Paul Lender, Left of Center photography.

Copy of NPB Gala 2019-220

North Pointe Ballet in “Swan Lake”. Photo by Paul Lender, Left of Center photography.

Act 2 of the program coincidentally showcases Act II of Marius Petitpa and Lev Ivanov’s ballet “Swan Lake” (1895) to music by Peter Ilyich Tchaikovsky. It features NPB principal dancer Elizabeth Radachi as Odette, the White Swan and Matthew Robinson, formerly of Cleveland’s Dancing Wheels, as Prince Siegfried.  In a recent rehearsal of the ballet at Jillian Rian’s Dance School in North Ridgeville, the statuesque Radachi, partnered by Robinson, showed a quiet and steady confidence in her dancing while leading a young corps de ballet of dancers of varying skill as swans.

Act 3 contains the most personal of the ballets on the program in the form of Strukely-Dziak’s “Because of You,” which tells of the motivations behind her founding NPB in 2016 and of the company’s underlying mission to make classical ballet accessible to the community it serves by offering family-friendly, easy-to-understand, professional ballet productions in the western suburbs of Cleveland.

Copy of NPB Gala 2019-287

Janet Strukely-Dziak and son Lucas in “Because of You”. Photo by Paul Lender, Left of Center photography.

Set to an eclectic mix of rock and dance music from Guns N’ Roses, The Doors, Michael Jackson, Justin Timberlake and others performed live by the NPB band, the emotional ballet stars Strukely-Dziak and her 9-year-old autistic son Lucas and looks back on their lives at the genesis of North Pointe Ballet. In addition to the pair, the cast will include NPB company and student ensemble dancers as well as performers from Lorain’s Spectrum Resource Center & School.

“The ballet and the program are a reflection of what North Pointe Ballet is all about” says Strukely-Dziak. “We are all in this together; let’s share our love of dance with everyone”.

North Pointe Ballet presents encore performances of What’s Your Why?, 7 p.m., Saturday, March 14 and 2 p.m., Sunday, March 15; Lorain Palace Theater, 617 Broadway Ave., Lorain, OH. Tickets are $15-20 and available at northpointeballet.org, lorainpalace.org or by calling (440) 245-2323.

Steve Sucato is a former dancer turned arts writer/critic. He is Chairman Emeritus of the Dance Critics Association and Associate Editor of ExploreDance.com.

Leave a comment

Filed under Airings

Neglia Ballet Artists’ Star-Studded Spring Gala Dazzled with Great Performances [REVIEW]


8TravelingAlone

Colorado Ballet’s Dana Benton and Yosvani Ramos in Amy Seiwert’s “Traveling Alone”. Photo by Gene Witkowski.

Neglia Ballet Artists – Spring Gala
Nichols Flickinger Performing Arts Center
Buffalo, NY
May 10, 2018

By Steve Sucato

Buffalo’s premiere evening of dance each year, Neglia Ballet Artists’ 2018 Spring Gala was a smorgasbord of top flight dancing well worth the price of admission.  Once again NBA artistic director Sergio Neglia and executive director Heidi Halt culled together a stellar line-up of guest artists and dance works worthy of a professional dance company many times NBA’s size.

The program opened however with a solo variation from the ballet Raymonda by one of Neglia Conservatory’s own rising stars, Maggie Weatherdon.  The statuesque teenager from Grimsby, Ontario, despite some nerves, showed control in her technique and footwork on pointe in the briskly-paced solo.

1MaggieRaymonda

Neglia Conservatory dancer Maggie Weatherdon in a variation from “Raymonda”. Photo by Gene Witkowski.

2Romanza

Vilia Putrius and Mindaugas Bauzys in Paul Meija’s “Romanza Andaluza”. Photo by Gene Witkowski.

Next, frequent guest dancers, husband and wife team Vilia Putrius and Mindaugas Bauzys, performed former New York City Ballet principal dancer Paul Meija’s pas de deux “Romanza Andaluza” to violin music by Pablo de Saraste.

The look of the pas de deux spoke of a matador and a señorita, while the close-quarter classical choreography evoked the feel of the “White Swan” pas de deux from Swan Lake.  Arms raised high over her head Putrius spun in and out of Bauzys’ arms and was lifted over his head in arabesque positions that had her lovingly looking down on him.  Both dancers radiated star quality in their dancing that combined grace and technical prowess.

3StephUnderHerSkin

Neglia Conservatory’s Stephanie Waite in Victor Smalley’s “Under Her Skin”. Photo by Gene Witkowski.

4RandJ

Colorado Ballet’s Dana Benton and Yosvani Ramos in the balcony scene pas de deux from “Romeo and Juliet” Photo by Gene Witkowski.

After the contemporary dance solo “Under Her Skin” by Victor Smalley danced by Neglia Conservatory student Stephanie Waite, Colorado Ballet principal dancers Dana Benton and Yosvani Ramos performed the balcony scene pas de deux from Romeo and Juliet with choreography by former English National Ballet artistic director Derek Deane.  One of the more emotionally rich choreographic versions of the ballet, Deane’s passionate choreography fit perfectly on the girlishly giddy Benton as Juliet and the dashing Ramos as Romeo. Sweeping runs into each other’s arms, soaring lifts and dizzying turn sequences left one believing in the pair’s over-the-moon young love.

6PungYeongLAndscape

Dancers Eun-Kyung Chug (front) and Seyong Kim in Takehiro Ueyama’s “PUNG-GYEONG: Landscape”. Photo by Gene Witkowski.

The program then switched gears stylistically in choreographer Takehiro Ueyama’s contemporary dance work “PUNG-GYEONG: Landscape” performed by former Seoul Ballet Theater principal dancer Eun-Kyung Chug and former Metropolitan Opera Ballet dancer Seyong Kim.  Performed to a piano score by Johann Sebastian Bach, the gestural and calisthenic–like choreography for the pair appeared to outline a relationship between them that was fond yet distant.  The veteran pair danced solidly in the somewhat  unremarkable piece.

Weatherdon, who placed 1st in the Senior Contemporary Division at the 2018 Youth America Grand Prix dance competition, then returned to the stage this time in the  contemporary dance solo “Integer” by award-winning choreographer Viktor Plotnikov. Dancing to music by Zoe Keating, the rangy teen sliced through the air in fluid, angular dance moves that showed off her facility a dancer and gave a glimpse of her vast potential as a dance artist.

7Integer

Neglia Conservatory dancer Viktor Plotnikov’s “Integer”. Photo by Gene Witkowski.

Waite then took the stage in another solo, this time a variation from the ballet La Bayadere to music by Ludwig Minkus.  While Waite powered through the technically challenging solo with relative ease, her performance felt a bit flat and lacked personality.

Next, Benton and Ramos took another turn on stage in an excerpt from Sacramento Ballet artistic director Amy Seiwart’s “Traveling Alone”.  The contemporary ballet pas de deux set to music by Max Richter had everything the earlier “PUNG-GYEONG: Landscape” lacked.  Seiwert’s captivating choreography was well-crafted, emotional,  and the chemistry and relationship between Benton and Ramos was anything but distant.  The pair had an ease to their dancing with Benton floating along in buoyant lifts and in dreamy turns on pointe.

9Avere

Vilia Putrius and Mindaugas Bauzys in Putrius’ “Avere”. Photo by Gene Witkowski.

Putrius and Bauzys also came back for an encore in Putrius’ “Avere”.  Danced to music by Baroque Italian composer Giulio Caccini, the heartfelt contemporary ballet pas de deux swirled with graceful spins and tender embraces with only a modicum of clunky choreographic moments. One being Putrius lying on her back and walking her feet up the side of Bauzys’ body and then waiting for him, legs hovering in the air, to complete a solo dance phrase before walking them down again which served to briefly interrupt the sensual flow of the duet.  That being said, the pair’s dancing was fabulous as always.

Brilliance continued in arguably the best performance of the evening, Tulsa Ballet soloists Jennifer Grace and Joshua Stayton dancing an excerpt from Tulsa Ballet resident choreographer Ma Cong’s “Glass Pieces”.

10GlassPieces

Tulsa Ballet’s Jennifer Grace and Joshua Stayton Ma Cong’s “Glass Pieces”. Photo by Gene Witkowski.

The exquisite lover’s pas de deux to music by Philip Glass unfolded with Grace (a perfect moniker for her dancing) twisting about on the stage floor before Stayton engaged her reposed body, causing her to arch her back and flutter one leg from the sensation.  The pair then deftly moved through a sequence of picture-perfect balletic poses that riveted one’s attention squarely on them.  Both Grace and Stayton were razor sharp in their dancing and left the audience mesmerized and breathless.

12LaVida

Michele Costa and Sergio Neglia in Viktor Plotnikov’s “La Vida”. Photo by Gene Witkowski.

The bountiful program concluded with an encore performance from 2017 of Plotinikov’s “La Vida,” a work loosely based on NBA artistic director Sergio Neglia’s life and family. The work traces Neglia’s feelings in losing and missing his fatherArgentinian ballet star Jose Neglia who tragically died in a plane crash in 1971 when Sergio was young. In it, Eun-Kyung Chung portrayed Neglia’s grieving mother, Sergio, his younger self and a puppet controlled by Michele Costa represented the memory of Jose.  The very personal work was playful and charming at times, poignant and memorable.

Neglia Ballet Artists perform their 20th Anniversary Spring Gala, 8 p.m., Saturday, May 18, 2019. Nichols Flickinger Performing Arts Center, 1250 Amherst Street, Buffalo. Tickets are $25/student, $75/general ($80 at door) & $100/patron and are available at http://negliaballet.org/gala/

Featured performances by:

Emily Bromberg & Ariel Rose  (Miami City Ballet)
– Former Neglia Conservatory student Adelaide Clauss & Tamas Krizsa (Washington Ballet)
– Vilia Putrius & Mindaugas Bauzys formerly of Festival Ballet in Providence
Sergio Neglia, Sherri Campagni, puppeteer Michele Costa and actor Nico Neglia in a new ballet inspired by Mozart and Salieri and choreographed by Viktor Plotnikov
– Current Neglia Conservatory Pre-Professional students Ava DiNicola, Adrien Malof, and Maggie Weatherdon

Steve Sucato is a former dancer turned arts writer/critic. He is Chairman Emeritus of the Dance Critics Association and Associate Editor of ExploreDance.com.

 

 

 

 

 

 

Leave a comment

Filed under Dance Reviews 2018

Pittsburgh Ballet Theatre’s Julia Erickson on Her Farewell Announcement and Why the “Stage Is Like One Big Playground”


980x (1)

Erickson as Odile. Photo by Rich Sofranko, Courtesy PBT.

By Steve Sucato

Elton John, Neil Diamond and the band Rush—2018 just got underway and it already feels like the year of the beloved star retiring. Joining that list today is one of Pittsburgh Ballet Theatre’s longest tenured principal dancers, Julia Erickson. The 38-year-old Seattle native trained at the Pacific Northwest Ballet School and spent two years with Texas Ballet Theater before joining PBT in 2001. Starting in 2010, she was the co-owner of Barre, a line of nutrition bars for dancers, until the company’s hiatus in 2015. She was also the 2014 recipient of the BRAZZY Award for outstanding female dancer, chosen by Pittsburgh’s dance writers. The audience and critics’ favorite will close out her 17-year career with PBT in October. Pointe spoke with Erickson about her career and what’s next.

You appear to be at the top of your game, so why retire now?

I am not full-on retiring, just leaving PBT in the capacity I’m in. I plan to dance more. Guesting with [Santa Monica-based] Barak Ballet this summer was an eye-opening experience. I was able to discover that nowadays there are a lot more opportunities out there to dance that are not necessarily available to someone dancing under contract in a resident company.

So this is more of a career move?

I’ve had an amazing career at PBT dancing some amazing roles with a great group of artists. I feel so fortunate but I am at a juncture in my career where I feel I need to take a leap and see what else is out there. I want more, even if it is not in dance.

Click here to read more.

This article appeared first on Pointe Magazine’s website on February 1, 2018. Copyright Steve Sucato.

Leave a comment

Filed under Pointe Magazine