Tag Archives: Royal New Zealand Ballet

Royal New Zealand Ballet’s 2018 line-up revealed


Piano-Main-v2-RNZB-dancer-Abigail-Boyle.-Photo-by-Ross-Brown-867x1024

RNZB dancer Abigail Boyle. Photo by Ross Brown.

By Jeremy Brick

Choreographic mastery, cinematic vision and New Zealand’s pioneering spirit define the national ballet company’s 65th anniversary year announced today. 2018 promises audience favourites and landmark repertoire from New Zealand, Europe and America alongside expanded choreographic opportunities and continued commitment to education as the company tours to 16 centres nationally.

RNZB Artistic Director Patricia Barker is honoured to lead the company as the second female director in its history. “My vision is for the Royal New Zealand Ballet is to be celebrated for commissioning works by the brightest young choreographers, while meticulously maintaining the highest standards of traditional classics. The RNZB will continue to embody the elegance, grandeur, grace and strength that I have already seen in New Zealand’s landscapes and the people that I have met. We are a cultural ambassador and an important artistic export, sharing the spirit and creativity of our country at home and beyond our borders.”

The Piano: The Ballet:  The 2018 season begins with the world premiere of a work inspired by Jane Campion’s award-winning quintessentially New Zealand film that captured audiences worldwide. This newly re-imagined full length work by Jiří Bubeníček, is presented in association with the New Zealand Festival and the Auckland Arts Festival. Ada’s story is given a powerful new voice in dance and is accompanied by musical excerpts from Michael Nyman’s iconic film score and works by classical music masters.

Dancing with Mozart: Choreographic titans George Balanchine and Jiří Kylián find inspiration in the music of Wolfgang Amadeus Mozart as the RNZB presents the first New Zealand performances of Balanchine’s Divertimento No. 15 and Kylián’s Petite Mort and Sechs Tänze, alongside a new commission by Christchurch-born, UK-based choreographer Corey Baker.

Strength and Grace: Women: To mark the 125th anniversary of women’s suffrage in New Zealand and the RNZB’s own 65th birthday the company looks to the future of dance, with a series of new commissions from female choreographers, curated by RNZB Artistic Director Patricia Barker.

The Ryman Healthcare Season of The Nutcracker brings a rich offering of seasonal cheer and fabulous music to audiences of all ages as the RNZB tours a new, traditional staging of the work nationally for the first time since 2010.

RNZB Executive Director Frances Turner says “We are thrilled to present such diverse programming of works that will be a choreographic feast for our dancers and a visual feast for our audience.”

Outside the three main stage seasons, the RNZB will continue its much-loved and popular Tutus on Tour and Ballet in a Box programme planned for seven centres throughout the year: Gore, Tauranga, Oamaru, Hamilton, Taupo, Whanganui and Kerikeri. The RNZB will also present the Harry Haythorne Choreographic Award with the support of the Ballet Foundation of New Zealand Trust, to provide opportunities for emerging choreographers to create short works for studio performance by dancers of the RNZB.

Details 

The Piano: the ballet: 

Inspired by the film The Piano with permission kindly granted by Jane Campion, Jan Chapman and Saddleback Productions.

22 February – 7 April

Touring to Wellington, Napier, Auckland, Dunedin, Christchurch, Palmerston North, Rotorua

Choreography: Jiří Bubeníček, Set and Video Design: Otto Bubeníček, Costume Design: Elsa Pavanel

Music: Otto Bubeníček, Michael Nyman, Debussy, Arensky, Stravinsky, Schnittke, Brahms and Shostakovich arranged by Otto Bubeníček, Staging: Jiří Bubeníček and Otto Bubeníček

Lighting Designer: Jeremy Fern

Dancing with Mozart: Balanchine – ­Kylián  –  Baker

31 May – 8 July

Touring to Wellington, Christchurch, Invercargill, Dunedin, Blenheim, Palmerston North, Rotorua, Napier, Auckland.

  • Petite Mort: Choreography: Jiří Kylián, Assistant to the choreographer: Stefan Zeromski, Music: Wolfgang Amadeus Mozart, Piano Concertos K488 and K467, Costume design: Joke Visser, Set design: Jiří Kylián, Light design: Jiří Kylián (concept), Joop Caboort (realisation),Video registration: Hans Knill, Technical adaptation (lights/set): Joost Biegelaar
  • Sechs Tänze: Choreography: Jiří Kylián, Assistant to the choreographer: Stefan Zeromski, Music: Wolfgang Amadeus Mozart, Deutsche Tänze K571, Costume and set design: Jiří Kylián, Light design: Jiří Kylián (concept), Joop Caboort (realisation), Video registration: Hans Knill, Technical adaptation (lights/set): Joost Biegelaar
  • Divertimento No. 15Choreography: George Balanchine © The George Balanchine Trust, Repetiteur: Francia Russell, Music: Wolfgang Amadeus Mozart, Divertimento No. 15 in B flat major, K287, Design: Barbara Karinska, Orchestras: Orchestra Wellington, Christchurch Symphony Orchestra, Auckland Philharmonia Orchestra, Conductors: Marc Taddei (Wellington), Hamish McKeich (Christchurch and Auckland)
  • New work: Choreography/Design: Corey Baker, Music: Duncan Grimley, after Wolfgang Amadeus Mozart, Requiem in D minor K626, Lighting Design: Paul O’Brien

Strength and Grace: Women: New commissions curated by RNZB Artistic Director Patricia Barker

17 – 18 August

Opera House, Wellington

To mark the 125th Anniversary of women’s suffrage in New Zealand we look to the future of dance, with a series of new commissions curated by RNZB Artistic Director Patricia Barker.

The Ryman Healthcare season of The Nutcracker

31 October –  20 December

Touring to Wellington, Blenheim, Invercargill, Dunedin, Christchurch, Palmerston North, Napier, Auckland (Auckland City and Takapuna), Rotorua

Choreography: Val Caniparoli, Music: Pyotr IlyichTchaikovsky, Set design: Michael Auer and Andrew Lees, Costume design: Assisted by Patricia Barker, Lighting Design: tbc, Orchestras: New Zealand Symphony Orchestra, Dunedin Symphony Orchestra, Christchurch Symphony Orchestra, Auckland Philharmonia Orchestra, Conductor: Hamish McKeich

Tutus on Tour with Ballet in a Box

Gore 15 March, Tauranga 4 April, Oamaru 17 June, Hamilton 9 July, Taupo 11 July, Whanganui 13 July, Kerikeri 12 December.

Repertoire may vary from centre to centre and will be announced in advance of each mini tour.

On sale dates for 2018 shows:

Renewing subscribers 2 October 2018; New subscribers 16 October 2017; Public 1 November 2017.

For booking info see www.rnzb.org.nz

The Royal New Zealand Ballet

The Royal New Zealand Ballet (RNZB) was founded in 1953 by Danish dancer Poul Gnatt, as a touring professional ballet company for all New Zealanders. Now based at Wellington’s St James Theatre, the Royal New Zealand Ballet is an intrinsic part of New Zealand’s national heritage, and has the largest following of all New Zealand performing arts companies. The Royal New Zealand Ballet continues to invest in live music, performing with the Auckland Philharmonia Orchestra, New Zealand Symphony Orchestra, Orchestra Wellington, the Christchurch Symphony Orchestra and the Dunedin Symphony Orchestra. The RNZB enjoys a reputation for strong and unique interpretations of full-length dramatic works. To this base the RNZB have added many masterworks and major ballets of the 20th century, such as Balanchine’s works and the Stravinsky ballets. The company has an enviable track record in commissioning new works from New Zealand and international choreographers. The RNZB regularly represents New Zealand on the international stage, with recent tours to the UK, Australia, China, USA, Italy and Hong Kong.

Advertisements

Leave a comment

Filed under Press Releases

ARTS AIR EXCLUSIVE: Patricia Barker Named Artistic Director of Royal New Zealand Ballet


Barker 2014 (2)

By Steve Sucato

Former Pacific Northwest Ballet star and current artistic director of Grand Rapids Ballet, Patricia Barker will become the Royal New Zealand Ballet’s twelfth artistic director and only the second female director in its 64-year history. She takes over from current RNZB artistic director Francesco Ventriglia on June 19, 2017. Ventriglia will stay on as a choreographer for the company.

Barker says the application process involved her submitting a strategic overview with a sample production plan. She met with RNZB’s search committee via  video conference calls and spent three days at the company’s home in Wellington where, in addition to meeting and talking with the organization’s board and staff ─  including fellow American executive director Frances Turner ─  she had a question and answer session with RNZB’s dancers.

“It’s exciting, they have an excellent reputation, wonderful reviews and a great spirit and energy in the studio,” says Barker.

According to Barker, RNZB was looking for a unique identity for their 36-member company and she feels she can create that for them. “All the works I did at Grand Rapids Ballet definitely gave us a unique identity. I look at each transition as an exciting change, building on an organization’s successes that came before while looking toward the future. We did that in Grand Rapids and I think I can do that here.”

With a 13-million dollar budget and a history of international touring, Barker says she is ready to apply what she has learned in her career at Pacific Northwest Ballet, as a dancewear entrepreneur and at Grand Rapids Ballet  to moving RNZB forward.

DSC_2373 (2)

Patricia Barker in the studio with Grand Rapids Ballet dancers. Photo by Michael Auer.

With their 2018 season already set, Barker says she will be initially working on programming for 2019 as well as getting to know the dancers and the organization. With that advanced planning in place along with seasonal differences in when RNZB performs, it will allow Barker to also stay on as artistic director at Grand Rapids Ballet during the coming 2017-18 season.

“It’s nice because their [New Zealand’s] summer is our winter and there will be opposite weeks of work,” says Barker. “I can do a lot remotely and be in Grand Rapids for the opening of productions.” She also says she still plans on staging a few ballets on the company.

GRB’s 2017-18 season, which includes a program of highlights from Sleeping Beauty, Swan Lake, Giselle, Esmeralda and Don Quixote; their annual The Nutcracker production re-imagined by Polar Express author Chris Van Allsburg; two repertory programs celebrating diversity with world-premiere works by some of today’s most influential choreographers; and the world-premiere of choreographer Penny Saunders’ Oscar Wilde inspired ballet The Happy Prince and other Wilde Tales, will now act as a farewell celebration of Barker’s 7-years with the GRB, taking it from a relatively unknown regional troupe to one with a national presence.

On moving to the other side of the world the 54-year-old Barker says: “I am an adventurous individual with one more adventure in me. I am so proud of what we created at Grand Rapids Ballet, the platform for choreographers, especially women choreographers and the prolific amount of works we have done has been incredible. Also, the development of talent, including local talent, has been wonderful to be a part of. The fun thing about going somewhere else is bringing all that I have learned and experienced here and applying it there.”

Steve Sucato is a former dancer turned arts writer/critic. He is Chairman Emeritus of the Dance Critics Association and Associate Editor of ExploreDance.com.

Leave a comment

Filed under Airings