Tag Archives: Michael Pink

Fourth Annual ‘The Benefit’ Offers Up World-Class Music and Dance to Aid Hemophilia Foundation


0258

Carolina Ballet’s Marcelo Martinez and Lara O’Brien in Robert Weiss’ “Meditation from Täis.” Photo by Ira Graham.

By Steve Sucato

As humans we pride ourselves in turning negatives into positives. Following the proverbial phrase “When life gives you lemons, make lemonade,” we make lakes of the stuff in an effort to ease suffering and find cures for the countless ills life throws at us. So when former BalletMet star Jimmy Orrante’s son Isaac was born with hemophilia ─ a condition in which the ability of the blood to clot is severely reduced ─ Orrante began formulating how he could use his art to help others make lemonade out the lemons life dealt them.

In 2013, he and fellow former BalletMet dancer Attila Bongar organized The Benefit (formerly Dancing for the Cure), a charity event that featured music and dance performances from top flight dancers and musicians from the Columbus area and across the United States.

“The first year we did The Benefit it was to fight cancer and benefitted Nationwide Children’s Hospital of Columbus,” says Orrante. “Me being a part of the hemophilia family and knowing the people in that community, it made more sense for us to link up with The Central Ohio Chapter of the National Hemophilia Foundation.”

Now in its fourth year the all-volunteer event ─ which annually raises over $25,000 for the Hemophilia Foundation ─ will be even bigger and better. The event, Sunday, May 21, will be held for the first time at The Riffe Center’s newly renamed Davidson Theatre (formerly Capitol Theatre) offering attendees a more theatrical experience.

One of the premiere dance events in the region, this year’s production features dancers and choreographers from Miami City Ballet, Cincinnati Ballet, Milwaukee Ballet, Rochester City Ballet, BalletMet, Columbus Dance Theatre and others, along with live music by Camarata (a multi-piece orchestra made up of musicians from the Columbus Symphony Orchestra and led by CSO principal cellist Luis Biava), Columbus ambient alternative band The Wind and the Sea, and North Carolina bluesman th’ Bullfrog Willard McGhee. In addition, following the performance there will be a meet and greet with the performers that includes food and a silent auction.

0246

From 2016’s ‘The Benefit’: BalletMet’s Adrienne Benz and Carolina Ballet’s Marcelo Martinez in Jimmy Orrante’s “Imperfections.” Photo by Ira Graham.

The 90-minute program will open with Milwaukee Ballet leading artists Patrick Howell and Nicole Teague-Howell in the Act 2 pas de deux from the ballet Swan Lake with choreography by Milwaukee Ballet artistic director Michael Pink. After a musical selection from baritone singer Robert Kerr, Miami City Ballet soloist Lauren Fadeley and BalletMet’s Jarrett Reimers will perform the first of two works by Orrante on the program; a brand new pas de deux danced to an excerpt from Rachmaninov’s Piano Concerto No. 2 in C Minor. Says Orrante of the pas de deux, it will be a reaction to the music and to the relationship Fadeley and Reimers develop dancing together.

In “A Caretaker’s Vow” (Excerpt) a solo by dancer/choreographer Marcus Jarrell Willis, the former Alvin Ailey American Dance Theater dancer explores his uncertainty about his future after leaving Ailey and how his friends encouraged and lifted him up. Set to music by British soul singer-songwriter Laura Mvula, the solo, says Willis, “takes you into my innermost thoughts.”

Next, COSI Science Center chief scientist Paul Sutter narrates “Voyager,” a new work in three stylistically diverse movement sections by three different choreographers inspired by and titled after music selections contained in NASA’s  messages from earth Golden Record included on Voyager 1 and 2’s interstellar missions.

The work opens with Orrante’s second piece on the program, a contemporary ballet for 6-women set to Blind Willie Johnson’s song “Dark Was the Night, Cold Was the Ground” sung live by McGhee. “Voyager’s” second part is a new solo by kathak dancer/choreographer Mansee Singhi danced to “Jaat Kahan Ho,” a traditional Indian song sung by Surshri Kesar Bai Kerkar that Singhi says is “related to Lord Krishna’s tales.”

Concluding the work is a new ballet for 12-dancers by Columbus Dance Theatre’s Christian Broomhall set to Bach’s “Brandenburg Concerto No. 2 in F.”  Says Broomhall, my piece is “wholly inspired by the images and feelings that the music evoked within me. It’s very quirky and whimsical.”

0337

From 2016’s ‘The Benefit’: BalletMet’s Caitlin Valentine-Ellis atop dancers in Atilla Bongar’s “Forced March: Second Eclogue.” Photo by Ira Graham.

Following a performance of Edvard Grieg’s “Holberg Suite, Op. 40,” performed by Camarata, will be the first of two ballets by Bongar. Yet to be titled, the ballet, set to Alexander Scriabin’s “Fantasie in B minor, Op. 28,” is a trio for Fadeley, BalletMet’s Michael Sayre and BalletMet Dance Academy student Isabelle LaPierre. Says Bongar, the ballet takes inspiration from Jacqueline Kennedy and her emotional state after husband, President John F. Kennedy died. “I saw a touching image of her and her daughter standing in front of JFK’s coffin and wondered what was going on inside her beneath her composed manner,” says Bongar.

Cincinnati Ballet soloist James Cunningham returns to The Benefit with his new ballet “Mordent.” Set to an excerpt from Beethoven’s “Piano Trio in C minor, Op.1 No.3” played live, the neo-classical ballet for two men and one woman says Cunningham, “connects heavily to the musicality of the trio.”

After a piano solo by BalletMet music director Tyrone Boyle, the program’s second-to-last offering comes from choreographer Kristopher Estes-Brown. Danced to live music by The Wind and the Sea, the new contemporary ballet for 6-dancers entitled “Somewhere, Something,” says Estes-Brown, is about “distance, time and human connection.”

Rounding out the program will be Bongar’s pas de deux “Spartacus,” set to Aram Khachaturian’s music from the ballet of the same name and will be danced by BalletMet’s Jessica Brown and Romel Frometa.

One of the easiest and best choices in helping make a difference in the lives of those with hemophilia, their families, and to help find a cure, The Benefit, is a win-win for anyone who enjoys world-class arts entertainment and making lemonade out of life’s lemons.

The fourth annual The Benefit takes place 5 p.m., Sunday, May 21, The Riffe Center’s Jo Ann Davidson Theatre, 77 S. High Street, Columbus, OH. Tickets: Adult – $30, VIP Priority Seating – $55, Student/Child – $15. (614) 902-3965, (614) 469-0939 or https://www1.ticketmaster.com/event/0500527BD2F4CC36#efeat4212

Steve Sucato is a former dancer turned arts writer/critic. He is Chairman Emeritus of the Dance Critics Association and Associate Editor of ExploreDance.com.

Advertisements

Leave a comment

Filed under Airings