Tag Archives: David Bowie

Dancing Wheels Brings Successful New York Program That Includes New David Dorfman Work Home to Cleveland


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Dancing Wheels dancers in James Morrow’s “Neither Lost Nor Found.” Photo by Scott Shaw.

By Steve Sucato

After a successful New York debut of their program Past, Present and Future of Integrated Dance at Ailey Citigroup Theater in October, Cleveland’s Dancing Wheels brings a modified version of it to The Breen Center for the Performing Arts at Saint Ignatius High School on Saturday, November 4.

Hailed as “…remarkable …a company of first-rate trained dancers with and without disabilities” by New York dance critic Bonnie Rosenstock (click here to read the full review), the mixed repertory program of company favorites spanning Dancing Wheels’ 37 seasons will also feature the Cleveland premieres of choreographer James Morrow’s “Neither Lost Nor Found” and “Imagine, if you will …,” by Bessie Award-Winning choreographer David Dorfman. Also on the program will be a performance by students of The School of Dancing Wheels.

The company, which welcomed 6 new dancers this season, “has never been better and more jelled,” says Dancing Wheels rehearsal director/resident choreographer Catherine Meredith. “They did a fabulous job in New York.”

Putting the company’s newfound chemistry to the test was the creation of Morrow’s “Neither Lost Nor Found.” The urban-centric choreographer says he came to Dancing Wheels with a basic idea for the work and a choreographic sketch but didn’t know how it would pan out. “There was great communication between myself and the dancers… What I found extremely important was the reciprocity. We learned and evolved together.”

That choreographic sketch along with inspiration from Martin Niemoller’s iconic poem “First they came …” about the rise of Nazism, formed the basis of the work and its commentary on the current social and political landscape of the United States.

Says Morrow of the 10-minute group work: “[Niemoller’s] quote revolves around silence and the act of not speaking out when you identify injustice. As a white person navigating through this world, I have been silent when I shouldn’t have. I’ve been asleep and blinded by my own privilege…Dancing Wheels, the work they put out, the mission of the company, the performers, the community engagement they participate in, are all acts to combat silence. There is a political ‘stand’ or ‘sit’ in the representations within their performances, acts of rebellion or subversion to the hetero-normative, white supremacist, patriarchal society that many of us sleep through day in and day out. I want ‘Neither Lost Nor Found’ to evoke that will, that drive…and hopefully wake a few people ‘sleeping’ in the audience.”

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Dancing Wheels dancers in David Dorfman’s “Imagine, If you will…” Photo by Scott Shaw.

Like Morrow, Dorfman’s new work was inspired by the current social and political climate in the U.S. but filtering it through the lens of those with disabilities. A mainstay on the New York dance scene, Dorfman says a few things ran through his mind in creation process for the 17-minute “Imagine, if you will …”

“When working with folks of differing physical or emotional abilities or capacities, I often marvel at how much we as, more than not, ‘able bodied’ dancers take for granted and how much we as Americans take for granted,” says Dorfman. The group work, set to music by Liz de Lise, Omar Souleyman and Denver alternative country band Wovenhand, is an attempt says Dorfman, to let the audience “‘imagine,’ and plainly see the dancers’ greatness, courage and kindness.”

One of several repertory works to be reprised on the program will be Los Angeles choreographer Sarah Swenson’s 2015 work “Clamor.” Set to an original score by Swenson’s husband Alessandro Girasoli, the contemporary dance work reflects on disability rights and the 1990 Capital Crawl which helped propel the passage of the Americans with Disabilities Act. Dedicated to the memory of activist Kenneth Irving Zola, the work, says Meredith, brings home through its “Politico” character, the realization that anyone at any time can become disabled.

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Dancing Wheels dancers in Daniel Job’s “Above” (1991). Photo by Scott Shaw.

Also on the program will be reprises of Daniel Job’s “Above” (1991), the first work Dancing Wheels’ founding artistic director Mary Verdi-Fletcher performed out of her wheelchair, and an excerpt from Donald McKayle’s 2012 work “Far East of the Blues” set to a suite of Duke Ellington music.

Rounding out the program’s offerings will be a work by Gabriella Martinez created on the students of The School of Dancing Wheels, and a reprise of Meredith’s “Pallas Athena” that premiered this past June as part of Dancing Wheels’ The Best of Bowie program.

Performed to David Bowie’s song “Pallas Athena (Don’t Stop Praying mix No 2)” off his 1993 album “Black Tie White Noise,” Meredith says of the dance work, “I drew upon my experiences in New York City and London nightclubs where people who may or may not identify as male or female, he or she, could come, be accepted, and not be ashamed of who they truly were. For many, the DJ and the club acted as a god and church/sanctuary.”

Dancing Wheels presents Past, Present and Future of Integrated Dance, 7:30 p.m., Saturday, November 4; The Breen Center for the Performing Arts at Saint Ignatius High School, 2008 W 30th Street, Cleveland. $20 general, $15 students/seniors. (216) 432-0306 or dancingwheels.org.

Steve Sucato is a former dancer turned arts writer/critic. He is Chairman Emeritus of the Dance Critics Association and Associate Editor of ExploreDance.com.

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Dancing Wheels Production to Celebrate Music Icon David Bowie


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Dancing Wheels’ Demarco Sleeper and Sara Lawrence-Sucato in Dezaré Foster’s “Labyrinth: A Tribute”. Photos by Dale Dong and Design by G. Michael Bargas.

By Steve Sucato

Last summer when a freakish windstorm knocked out power at Cleveland Heights’ Cain Park, it also took with it Dancing Wheels’ scheduled world-premiere of “Labyrinth: A Tribute,” a dance work based on the 1986 film Labyrinth starring the David Bowie. While the cancellation was certainly unfortunate, it did provide the 36-year-old Cleveland-based physically integrated dance company with the opportunity to now create an entire evening themed around Bowie and his music. The Best of Bowie at Jacobs Pavilion at Nautica will not only feature several Bowie-scored dance works, but the production will be interspersed with facts, lesser known trivia and video footage about the late rock icon provided by local Bowie aficionado, CoolCleveland’s Thomas Mulready and be followed by a Bowie-themed post-performance party.

Acting as master of ceremonies for the evening, Mulready says he has had a lifelong interest in Bowie and his music that has weathered the many stylistic changes in Bowie’s music over the span of his career.

“Everything he would come up with was very different from the thing he did before so if you got hooked into the androgyny of Ziggy Stardust and then a few years later he’s doing ‘Young Americans’ and he is like a soul singer, people would turn off and he would get a whole new audience and lose the old one,” says Mulready. “I was there all along.”

Whether as musical alter egos the “Thin White Duke,” “Ziggy Stardust,” “Aladdin Sane” or “Major Tom,” David Robert Jones, a.k.a. David Bowie, is one of the most recognizable and revered figures in popular music history. With a string of hits and record sales of some 140 million over his 50-year career, Bowie was one of the world’s best-selling music artists. The multi-talented singer-songwriter, actor, painter, art collector and 1996 Rock Hall-inductee’s death of liver cancer at age 69 in 2016 sent shockwaves worldwide.

In celebration of Bowie’s legacy, The Best of Bowie will open with the premiere of Dancing Wheels’ rehearsal director Catherine Meredith’s “Pallas Athena.” Danced to Bowie’s “Pallas Athena (Don’t Stop Praying mix No 2)” off 1993’s Black Tie White Noise album, the work and the song’s title come from the Greek goddess, Athena, who is depicted in Athenian statues under the form of Pallas Athena. For Bowie, the song grew out of his interest in how man relates to God.

Says Meredith of the piece, “The impetus for the movement came from my years spent in NYC/London nightclubs. For many, the DJ and the club acted as a god and church/sanctuary where people were free to be who they were without judgment.” In it, Meredith says Dancing Wheels’ dozen dancers will represent the individual’s struggle to have their voice heard above the crowd.

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Dancing Wheels in Michael Uthoff’s “Straight Down the Middle”. Photo credit: Ellie Montenegro.

Next, Pittsburgh-based choreographer Beth Corning’s new work “These Are The Days,” reunites Meredith and Dancing Wheels founder/artistic director Mary Verdi-Fletcher with former company dancers Hoang (Mac) Dang, Libby Dang and Shannon Sterne. Corning, whose ongoing Glue Factory Project for dancers over forty has earned her critical acclaim nationally, brings that same sensibility in working with veteran dancers to this work. She describes it as a visceral, metaphoric reflection of her confusion, disbelief and uncertainty at the current social and political climates in U.S. and abroad. Set to a remastered version of Bowie’s “Space Oddity” along with music by Philip Glass, the work will be performed with the cast in wheelchairs.

“My choice to put all the dancers into [wheel]chairs was a conscious one,” says Corning. The [wheel]chair was not a replacement for movement, but rather a vehicle. The armchair liberal, the strange act of passively sitting while physically having to propel yourself in space in circles — an equalizer of sorts — as we pass each other, trying to connect, constantly moving, almost afraid to stop, to connect, to take responsibility, to relate to the moment.”

Students from the Dancing Wheels School will then take the stage in “Lightning,” a new work choreographed by school coordinator Emma Parker along with Brittany Kaplan and Gabriella Martinez. Danced to Bowie’s 1983 hit “Let’s Dance” and the Bowie/Queen collaboration “Under Pressure,” the lighthearted work will be a toe-tapping lead-in to the program’s final work, “Labyrinth: A Tribute.”

Choreographed by former Dancing Wheels’ star Dezaré Foster, the Northeast Ohio premiere of “Labyrinth: A Tribute” is a dance re-envisioning of Jim Henson’s cult classic film. Set to Bowie’s soundtrack for the film, the family-friendly story ballet, like the film, combines drama, humor and a host of quirky characters to tell the tale of young Sarah’s perilous journey to save — in this version — her sister Toby from the malevolent Goblin King.

“I watched this movie as a young child and David Bowie’s music stayed close to my heart,” says Foster. “I hope the combination of music, movement and story will invite you into this fantastical world where goblins are under your bed and just beyond the meadow is a maze full of mystery and magic.”

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Dancing Wheels. Photo by Dale Dong.

Following the production, audience members are invited to stick around for a post-performance party featuring Cleveland glam band Vanity Crash They’ll take the stage to play Bowie and glam rock tunes. There’ll also be dancing, desserts and drinks (cash bar), a silent auction and a dancer meet-and- greet. For those wanting the full VIP experience, Dancing Wheels is also offering a pre-show cocktail party beginning at 6:30 p.m. with hors d’oeuvres, open bar, silent auction and Best of Bowie bling. Funds raised from this event go to supporting Dancing Wheels’ outreach and educational programming and touring.

Dancing Wheels presents The Best of Bowie, 8 p.m., Saturday, June 10; Jacobs Pavilion at Nautica, 2014 Sycamore Street, Cleveland. General admission $40, Groups of 10 or more $30/each, VIP tickets $125. (216) 432-0306 or dancingwheels.org.

Steve Sucato is a former dancer turned arts writer/critic. He is Chairman Emeritus of the Dance Critics Association and Associate Editor of ExploreDance.com.

This article was first published on CoolCleveland.com, June 3, 2017. Copyright Steve Sucato.

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Canadian icon Louise Lecavalier makes her long-awaited Pittsburgh debut


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Louise Lecavalier in “So Blue” – PHOTO COURTESY OF ANDRÉ CORNELLIER

By Steve Sucato

Canadian contemporary-dance queen Louise Lecavalier makes her long-awaited Pittsburgh debut Fri., Feb. 26, at the Byham Theater in So Blue. The critically acclaimed 2012 work is the first choreographic effort by Lecavalier, best known as the face of now-defunct Montreal-based La La La Human Steps.

Lecavalier has been an icon in Canada since the 1980s; even at age 57, her dancing demonstrates incredible speed and athleticism. Her numerous awards include Canada’s highest dance honor, the Jean A. Chalmers Award, in 1999. She performed with David Bowie on his 1990 Sound+Vision tour and with Frank Zappa…

Source: Canadian icon Louise Lecavalier makes her long-awaited Pittsburgh debut

***PITTSBURGH PREMIERE OF LOUISE LECAVALIER FOU GLORIEUX CANCELLED***

Pittsburgh, PA – The Pittsburgh Dance Council announced today that the performance of Louise Lecavalier’s Fou Glorieux, scheduled to be presented on Friday, February 26 at the Byham Theater, as part of the Pittsburgh Dance Council Season, has been cancelled.

Despite her best efforts to perform, a sudden illness has prompted Louise to take a hiatus at this time. The Pittsburgh Dance Council said: “We apologize for any inconvenience that this has caused and thank you for your support of Dance Council events.”

The event will not be rescheduled at this time and all ticket buyers will receive a full refund.

For more information, call the Theater Square Box Office at (412) 456-6666.

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