Category Archives: Press Releases

Royal New Zealand Ballet’s 2018 line-up revealed


Piano-Main-v2-RNZB-dancer-Abigail-Boyle.-Photo-by-Ross-Brown-867x1024

RNZB dancer Abigail Boyle. Photo by Ross Brown.

By Jeremy Brick

Choreographic mastery, cinematic vision and New Zealand’s pioneering spirit define the national ballet company’s 65th anniversary year announced today. 2018 promises audience favourites and landmark repertoire from New Zealand, Europe and America alongside expanded choreographic opportunities and continued commitment to education as the company tours to 16 centres nationally.

RNZB Artistic Director Patricia Barker is honoured to lead the company as the second female director in its history. “My vision is for the Royal New Zealand Ballet is to be celebrated for commissioning works by the brightest young choreographers, while meticulously maintaining the highest standards of traditional classics. The RNZB will continue to embody the elegance, grandeur, grace and strength that I have already seen in New Zealand’s landscapes and the people that I have met. We are a cultural ambassador and an important artistic export, sharing the spirit and creativity of our country at home and beyond our borders.”

The Piano: The Ballet:  The 2018 season begins with the world premiere of a work inspired by Jane Campion’s award-winning quintessentially New Zealand film that captured audiences worldwide. This newly re-imagined full length work by Jiří Bubeníček, is presented in association with the New Zealand Festival and the Auckland Arts Festival. Ada’s story is given a powerful new voice in dance and is accompanied by musical excerpts from Michael Nyman’s iconic film score and works by classical music masters.

Dancing with Mozart: Choreographic titans George Balanchine and Jiří Kylián find inspiration in the music of Wolfgang Amadeus Mozart as the RNZB presents the first New Zealand performances of Balanchine’s Divertimento No. 15 and Kylián’s Petite Mort and Sechs Tänze, alongside a new commission by Christchurch-born, UK-based choreographer Corey Baker.

Strength and Grace: Women: To mark the 125th anniversary of women’s suffrage in New Zealand and the RNZB’s own 65th birthday the company looks to the future of dance, with a series of new commissions from female choreographers, curated by RNZB Artistic Director Patricia Barker.

The Ryman Healthcare Season of The Nutcracker brings a rich offering of seasonal cheer and fabulous music to audiences of all ages as the RNZB tours a new, traditional staging of the work nationally for the first time since 2010.

RNZB Executive Director Frances Turner says “We are thrilled to present such diverse programming of works that will be a choreographic feast for our dancers and a visual feast for our audience.”

Outside the three main stage seasons, the RNZB will continue its much-loved and popular Tutus on Tour and Ballet in a Box programme planned for seven centres throughout the year: Gore, Tauranga, Oamaru, Hamilton, Taupo, Whanganui and Kerikeri. The RNZB will also present the Harry Haythorne Choreographic Award with the support of the Ballet Foundation of New Zealand Trust, to provide opportunities for emerging choreographers to create short works for studio performance by dancers of the RNZB.

Details 

The Piano: the ballet: 

Inspired by the film The Piano with permission kindly granted by Jane Campion, Jan Chapman and Saddleback Productions.

22 February – 7 April

Touring to Wellington, Napier, Auckland, Dunedin, Christchurch, Palmerston North, Rotorua

Choreography: Jiří Bubeníček, Set and Video Design: Otto Bubeníček, Costume Design: Elsa Pavanel

Music: Otto Bubeníček, Michael Nyman, Debussy, Arensky, Stravinsky, Schnittke, Brahms and Shostakovich arranged by Otto Bubeníček, Staging: Jiří Bubeníček and Otto Bubeníček

Lighting Designer: Jeremy Fern

Dancing with Mozart: Balanchine – ­Kylián  –  Baker

31 May – 8 July

Touring to Wellington, Christchurch, Invercargill, Dunedin, Blenheim, Palmerston North, Rotorua, Napier, Auckland.

  • Petite Mort: Choreography: Jiří Kylián, Assistant to the choreographer: Stefan Zeromski, Music: Wolfgang Amadeus Mozart, Piano Concertos K488 and K467, Costume design: Joke Visser, Set design: Jiří Kylián, Light design: Jiří Kylián (concept), Joop Caboort (realisation),Video registration: Hans Knill, Technical adaptation (lights/set): Joost Biegelaar
  • Sechs Tänze: Choreography: Jiří Kylián, Assistant to the choreographer: Stefan Zeromski, Music: Wolfgang Amadeus Mozart, Deutsche Tänze K571, Costume and set design: Jiří Kylián, Light design: Jiří Kylián (concept), Joop Caboort (realisation), Video registration: Hans Knill, Technical adaptation (lights/set): Joost Biegelaar
  • Divertimento No. 15Choreography: George Balanchine © The George Balanchine Trust, Repetiteur: Francia Russell, Music: Wolfgang Amadeus Mozart, Divertimento No. 15 in B flat major, K287, Design: Barbara Karinska, Orchestras: Orchestra Wellington, Christchurch Symphony Orchestra, Auckland Philharmonia Orchestra, Conductors: Marc Taddei (Wellington), Hamish McKeich (Christchurch and Auckland)
  • New work: Choreography/Design: Corey Baker, Music: Duncan Grimley, after Wolfgang Amadeus Mozart, Requiem in D minor K626, Lighting Design: Paul O’Brien

Strength and Grace: Women: New commissions curated by RNZB Artistic Director Patricia Barker

17 – 18 August

Opera House, Wellington

To mark the 125th Anniversary of women’s suffrage in New Zealand we look to the future of dance, with a series of new commissions curated by RNZB Artistic Director Patricia Barker.

The Ryman Healthcare season of The Nutcracker

31 October –  20 December

Touring to Wellington, Blenheim, Invercargill, Dunedin, Christchurch, Palmerston North, Napier, Auckland (Auckland City and Takapuna), Rotorua

Choreography: Val Caniparoli, Music: Pyotr IlyichTchaikovsky, Set design: Michael Auer and Andrew Lees, Costume design: Assisted by Patricia Barker, Lighting Design: tbc, Orchestras: New Zealand Symphony Orchestra, Dunedin Symphony Orchestra, Christchurch Symphony Orchestra, Auckland Philharmonia Orchestra, Conductor: Hamish McKeich

Tutus on Tour with Ballet in a Box

Gore 15 March, Tauranga 4 April, Oamaru 17 June, Hamilton 9 July, Taupo 11 July, Whanganui 13 July, Kerikeri 12 December.

Repertoire may vary from centre to centre and will be announced in advance of each mini tour.

On sale dates for 2018 shows:

Renewing subscribers 2 October 2018; New subscribers 16 October 2017; Public 1 November 2017.

For booking info see www.rnzb.org.nz

The Royal New Zealand Ballet

The Royal New Zealand Ballet (RNZB) was founded in 1953 by Danish dancer Poul Gnatt, as a touring professional ballet company for all New Zealanders. Now based at Wellington’s St James Theatre, the Royal New Zealand Ballet is an intrinsic part of New Zealand’s national heritage, and has the largest following of all New Zealand performing arts companies. The Royal New Zealand Ballet continues to invest in live music, performing with the Auckland Philharmonia Orchestra, New Zealand Symphony Orchestra, Orchestra Wellington, the Christchurch Symphony Orchestra and the Dunedin Symphony Orchestra. The RNZB enjoys a reputation for strong and unique interpretations of full-length dramatic works. To this base the RNZB have added many masterworks and major ballets of the 20th century, such as Balanchine’s works and the Stravinsky ballets. The company has an enviable track record in commissioning new works from New Zealand and international choreographers. The RNZB regularly represents New Zealand on the international stage, with recent tours to the UK, Australia, China, USA, Italy and Hong Kong.

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Grand Rapids Ballet Begins Search for a New Artistic Director


GRB logo

By Michael Erickson

Grand Rapids, MI, August 15, 2017– Grand Rapids Ballet (GRB) announced today that they are formally beginning a search for a new artistic director for Michigan’s only professional ballet company. Current artistic director, Patricia Barker, announced in June that she accepted the artistic director appointment at Royal New Zealand Ballet (RNZB). Barker has been in this position with GRB since 2010, and will split her time between GRB and RNZB until the end of the 2017-18 season.

“We have already had a lot of Interest in this position,” said Glenn Del Vecchio, GRB Executive Director. “Patricia’s artistic vision and the success of the company have made GRB a highly respected ballet company. We will find an excellent candidate to continue the artistic excellence Patricia began and our patrons expect.”

A search committee has been formed within GRB that includes current board members, company dancers, and community leaders. Applications will be accepted through September 15, 2017. Interviews will begin in early October with a final decision being made by early December 2017.

A complete job description and details on how to apply can be found at grballet.com/ADsearch. No phone calls, please.

About Grand Rapids Ballet

Celebrating its 47th anniversary this season, Grand Rapids Ballet remains committed to lifting the human spirit through the art of dance under the current leadership of Patricia Barker as artistic director, Glenn Del Vecchio as executive director, and Attila Mosolygo as school director.

A proud recipient of the ArtServe Michigan Governor’s Arts Award for Outstanding Cultural Organization, Michigan’s only professional ballet company has a rich history marked by steady growth, a commitment to excellence, and strong community support. In addition, Grand Rapids Ballet School provides over 250 students with the highest quality dance instruction in a nurturing and encouraging environment and the opportunity to perform in productions by Grand Rapids Junior Company.

Keep up with us on Twitter, Facebook, Instagram, and YouTube, and visit grballet.com today.

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Cincinnati Ballet Announces Exciting Promotions and New Dancers for 2017-2018 Company Roster


Liu_Photo by Peter Mueller

Sirui Liu

By Ashley Kruger

CINCINNATI. (August 16, 2017)–Cincinnati Ballet Artistic Director, Victoria Morgan, is proud to announce the 2017-2018 dancer roster, complete with eight new hires and five promotions, including Sirui Liu, who moves from Senior Soloist to Principal, and Chisako Oga, who moves from Soloist to Principal.

Coming to the U.S from Shanghai, China, Sirui Liu joined Cincinnati Ballet in 2011 as a member of the Corps de Ballet, and has consistently risen through the ranks. “Sirui has an unusual work ethic – she dances to the fullest of her capacity every time,” noted Victoria Morgan. “Her stamina and attention to detail has inspired our artistic staff and her peers. Sirui is always on! I started seeing her as a Principal, watching her in The Nutcracker, in both the Grand Pas (Sugar Plum Fairy) and Snow Queen roles, and working closely with her in Cinderella as the Fairy Godmother. She has improved immensely over the years, and her sky-rocketing ability, matched with her generous on-stage spirit, has earned her Principal status.”

Along with the Sugar Plum Fairy, Snow Queen and Fairy Godmother, Liu has danced feature roles with Cincinnati Ballet including Swanilda in Coppélia, Rose in The Nutcracker’s Waltz of the Flowers, Guinevere’s friend in King Arthur’s Camelot, and she recently danced in several contemporary works, such as Ohad Naharin’s Minus 16, Adam Hougland’s Cut to the Chase, Jennifer Archibald’s Never.Nest, Heather Britt’s Karass, and Annabelle Lopez Ochoa’s Eros Redux. In 2016, Liu was named one of Dance Magazine’s “25 to Watch.”

Oga_Photography by Peter Mueller

Chisako Oga

Originally from Carlsbad, California, Chisako Oga joined Cincinnati Ballet’s Corps de Ballet in 2016, and was promoted mid-season to Soloist. Oga had previously been an apprentice at San Francisco Ballet. She has enjoyed several leading roles throughout the 2016-2017 season, including the Black Swan Pas, Swanilda in Coppélia, Guinevere in King Arthur’s Camelot, Sugar Plum Fairy in The Nutcracker, and several contemporary works including Justin Peck’s Capricious Maneuvers, Ma Cong’s Near Light, Adam Hougland’s Cut to the Chase, Ohad Naharin’s Minus 16, Heather Britt’s Karass, Jennifer Archibald’s Never.Nest, and Annabelle Lopez Ochoa’s Eros Redux.

“Chisako is well-trained, having attended San Francisco Ballet School on full scholarship. She then danced in SFB’s Second Company for two years before joining the SFB Company. When she arrived in Cincinnati, she was primed and ready for advancement. Her mind is always thinking about what you are going to say, and she is already presenting that thought in a physical expression – smart, fast, inventive and willing! She came to the call of Cincinnati Ballet, seeking a brilliant petit dancer to partner with two of our Principal men. Her technique is impressive, and I learned through my work with her as Guinevere in King Arthur’s Camelot that she has emotional depth to match her ballet technique. She moved up quickly in her first year, and proved she was worthy of Principal status for her second year,” stated Victoria Morgan.

Additional promotions announced include Melissa Gelfin, who has been promoted from Corps de Ballet to the rank of Senior Soloist, and Maizyalet Velázquez who has been promoted from Soloist to Senior Soloist. David Morse has been elevated from Corps de Ballet to Soloist.

Several new dancers join Cincinnati Ballet from across the U.S. and abroad, including two individuals promoted through Cincinnati Ballet’s Second Company: Michael Mengden and Naomi Tanioka, joining as Apprentices.

New hires also include former Sarasota Ballet Principal Dancer, Edward Gonzalez, from Havana, Cuba, joining Cincinnati Ballet as a Senior Soloist; Grace Choi, of Evans City, Pennsylvania, and previously at San Francisco Ballet, joining as a Corps de Ballet Dancer; Marcus Romeo of Carlisle, Pennsylvania, and previously at Boston Ballet, joining as a Corps de Ballet Dancer; Bella Ureta of Seattle, and previously at Boston Ballet, joining as a Corps de Ballet Dancer; Kathleen Dahlhoff of San Francisco, joining as a New Dancer after receiving a BFA from the Alvin Ailey/Fordham University program; Christian Griggs-Drane of Richmond, Virginia, and previously at Grand Rapids Ballet, joining as a New Dancer; Abbey Kay of Ft. Lauderdale, previously at Sarasota Ballet, joining as an Apprentice; and Matthew Griffin of Minneapolis, joining as an Apprentice after receiving a BS in Dance/Arts Administration from Butler University.

Six new dancers join Cincinnati Ballet’s Second Company this season, including Daniel Baldwin, Jonathan Carter, Zoe Donnenfield, Yu Ting Huang, Ethan Kimbrell, and Megumi Nishimori.

This new roster is being announced as Cincinnati Ballet unveils plans to implement a number of exciting initiatives in the 2017-2018 Season as part of a long-term strategy for sustained growth and advancement. Along with a talented company roster, the “new” Cincinnati Ballet also encompasses an eye-catching, refreshed logo and brand identity for the Company, the launch of the Otto M. Budig Academy’s Professional Training Division, the Company’s return to Music Hall for three productions, the introduction of a brand new Family Series, and a groundbreaking partnership with Ballet West to co-present a World Premiere production.

About Cincinnati Ballet

Since 1963, Cincinnati Ballet has been the cornerstone professional ballet company of the region, presenting a bold and adventurous array of classical, full-length ballets and contemporary works, regularly with live orchestral accompaniment. Under the artistic direction of Victoria Morgan, Cincinnati Ballet has become a creative force within the larger dance community, commissioning world premiere works and exploring unique collaborations with artists as diverse as Grammy winning guitarist Peter Frampton and popular, Ohio-based band Over the Rhine. With a mission to inspire hope and joy in our community and beyond through the power and passion of dance, Cincinnati Ballet reaches beyond the stage in programs that allow every person in the region to be part of the continued evolution of dance. To that end, Cincinnati Ballet presents exhilarating performances, extensive education outreach programs and offers top level professional ballet training at Cincinnati Ballet Otto M. Budig Academy.

CONNECT: READ / WATCH / LISTEN / LEARN / ENJOY at cballet.org

Cincinnati Ballet 2017-2018 Season Sponsors: Artswave, Mercy Health, PNC Bank, Ohio Arts Council, Louise Dieterle Nippert Musical Arts Fund, Frisch’s Big Boy, Rhonda & Larry Sheakley, The Otto M. Budig Family Foundation

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