Deane’s ‘Alice’ Flawed but Fabulous


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Set to a mashup of obscure Tchaikovsky compositions compiled and added to by Carl Davis, Deane’s family-friendly Alice stayed faithful to the spirit of Carroll’s very familiar tale. Amanda Cochrane was endearing as the caring but petulant Alice, who pouted, stamped her feet, and bossed around the inhabitants of Wonderland. Alice’s meatiest dancing, however, came in a dream sequence with girlhood crush the Knave of Hearts (William Moore) that was danced not by Cochrane, but rather by “Dream Alice” — Alexandra Kochis, who shined.

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(L-R) PBT’s Cooper Verona as the Mad Hatter, Amanda Cochrane as Alice, Masahiro Haneji as the March Hare and Diana Yohe as the Dormouse in Derek Deane’s Alice in Wonderland. Photo by Rich Sofranko.

Alice’s adventure had many stops, including choosing which door to open among many; drinking potions to make her big and small; and interacting with the White Rabbit (Yoshiaki Nakano), the hookah-smoking caterpillar (Joseph Parr) and a cavalcade of fish, fowl and fauna. But the most interesting were her encounters with Ruslan Mukhambetkaliyev as the slinky Cheshire Cat, and with tea-party characters the March Hare (Masahiro Haneji), Mad Hatter (Cooper Verona) and a bubbly-sleepy Diana Yohe as the Dormouse.

Were it not for Julia Erickson’s deliciously wicked performance as the Queen of Hearts, the tandem of Corey Bourbonniere (Duchess) and Jessica McCann (Cook) might have stolen the show. McCann’s frenetic and animated portrayal of the crazed pepper-grinder-wielding cook was outstanding.

Led by Erickson’s masterful performance, the second act, at the Queen’s court, was the Alice audiences crave — full of royal pomp and circumstance, the ballet’s finest choreography, and a zany gathering of all the characters that had the audience losing its head with delight.

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PBT’s Yoshiaki Nakano as the White Rabbit and Amanda Cochrane as Alice in Derek Deane’s Alice in Wonderland. Photo by Rich Sofranko.

ALICE IN WONDERLAND at PITTSBURGH BALLET THEATRE continues through Sun., Feb. 19. Fridays, 8 p.m., Saturdays, 2 & 8 p.m. and Sundays, 2 p.m.; Benedum Center, 237 Seventh St., Downtown. $28-108. 412-456-6666 or pbt.org

This review originally appeared in Pittsburgh City Paper on February 15, 2017. Copyright Steve Sucato. Steve Sucato is a former dancer turned arts writer/critic. He is Chairman Emeritus of the Dance Critics Association and Associate Editor of ExploreDance.com.

 

 

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Filed under Dance Reviews 2017, Pittsburgh City Paper

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